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WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?
WHAT THE HOSTIA ARE YOU RUMOROUS?

WHAT THE HOSTIA ARE YOU RUMOROUS?

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Between 1976 and 1983, Antón Reixa, Manuel M. Romón and Alberto Avendaño kept alive a groundbreaking literary attitude in Galicia that began calling itself the Poetic Resistance Group and led to what would mark their lives: The Breakthrough Poetic Communication Group. They published poems with that printing technique known as "Vietnamese" and multicopies with clixés . They were, in inexact doses, a "beat" kid and a guerrilla kid.

Avendaño, Reixa and Romón founded Rompente Editions and published "Silabario da turbina" (1978) and "A dama que fala" (1983). In 1979, the Tres Tristes Trigues series would see the publication of 3 author books: “As Ladillas do Travesti” (Reixa), “galletas kokoshka non” (Romón9 and “Facer Pulgarcitos Tres” (Avendaño). Logo, they would meet again in a poetic anthology «Upalas» (1998).

They did «performances» and were obsessed with «multimedia» linguaxe . They went on stage with musicians like Julian Hernández (before Siniestro Total was founded), and collaborated with painters like Menchu Lamas and Antón Patiño to visualize their poetic expression. Hoxe, some 40 years later, had poetry and returned to address themselves to words so that they continue to falando themselves .

Authors: Breaking
Illustrations: Menchu Lamas and Antón Patiño
Limiar: Julian Hernandez

Pages: 288
Language: Galician
Format: 17 x 24 cm
Binding: Branda cover